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Gina Prince-Bythewood & Tina Mabry on Mentorship

How to Turn Your Idol into Your Mentor into Your Collaborator Gina Prince-Bythewood (“Love and Basketball”, “Shots Fired”) and Tina Mabry (“Mississippi Damned”, “Queen Sugar”) are unstoppable forces on the rise — writing, producing, and directing for TV and film while mentoring the next generation of filmmaking talent. Gina premiered an early short film at Slamdance in 1998 (“Bowl of Pork”, starring Dave Chappell) before her breakout first feature “Love and Basketball”. The film that redefined sports films and broke new ground on how women and people of color are depicted onscreen inspired Tina Mabry to abandon her LSATs and apply for film school. Tina’s 2009 debut feature “Mississippi Damned” (starring Tessa Thompson with cinematography by Oscar nominee Bradford Young) won Gina’s admiration and respect and the two filmmakers have since become mentor/mentee, friends, colleagues, and are now collaborating on an upcoming film. Both Slamdance alums, they came to our offices to discuss their experiences navigating the industry with all its highs and lows, and offered some valuable wisdom for fellow filmmakers. Listen to their conversation in it’s entirety or read some highlights below. “I mean, making a good movie is hard. Getting a movie made is a miracle.” Tina on meeting Gina after watching “Love and Basketball” and stalking her for years: Tina: The first time we...

What the heck does it take to get my film into Slamdance?

Tips and Insights from Slamdance Festival Programmers We know the festival submission process can seem pretty mysterious and we want to make submitting to Slamdance a little more transparent. As our motto proclaims, we are filmmakers here to help fellow filmmakers. Most of us are alumni of the festival who have been in your shoes—confused and nervous about navigating the festival circuit with our first films. Somehow, through some combination of grit and magic, we are now on the other side as Slamdance programmers! We’ve been there, and we’ve been here, and we want to help. How programming works at Slamdance We’re all filmmakers and we’re all volunteers. Almost all of us have screened films at Slamdance. Every film submitted is watched in its entirety by at least two different programmers. We have around 150 programmers from throughout the US and around the world. They are watching your online screeners at their convenience from wherever they are in the world. Every programmer has an equal voice. We don’t have lower tier screeners acting as gatekeepers. 100% of films selected come from our submissions pool. We don’t make promises to friends or celebrities. They have to submit just like everybody else. After every film is watched and scored, our programming teams spend a few weekends in...

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